Based in Brussels, Anna Tou works as a freelance designer, collaborating with brands in fashion and gastronomy on branding and visual design projects. Alongside this, her professional experience has expanded through various graphic design and art direction projects. During a two-year stay in Toronto, Canada, Anna discovered ceramics, an art that would become central to her career. Trained by Japanese ceramicist Joni Moriyama, she quickly developed a passion for the craft. Once back in Brussels, she enrolled at the Academy of Arts to refine her ceramic skills. Driven by a desire to practice her knowledge, she set up her own studio in her house, where she creates her pieces while sharing her passion through workshops and training sessions.
Anna Tou mainly works with stoneware and porcelain. These high-fired clays are coated with a transparent glaze that reveals the natural color of the clay underneath. At the heart of her work is the act of creation, with each piece defined by her unique hammering technique, which has become her signature style. This reflects her aim to leave a lasting impact. Her creations reflect the influence of her background in typography and graphic design. She approaches clay as a canvas on which can be tattooed, carving lines that initially highlight the joining of different pieces of clay. These linear engravings have evolved into a distinctive graphic motif, resembling a pattern or visible seams that can be compared to elements seen in fashion.
Eager to explore further collectible design, Anna Tou goes beyond the creation of functional objects, challenging the traditional separation between art and craft. “A cup can just as easily sit on a shelf as a piece of art, as it can be a hot cup of coffee in your hands.” With this perspective, she rethinks our relationship with everyday objects, which can have both practical and aesthetic value. This way, her work gains a figurative dimension, reflecting an evolution in her artistic voice. During the global pandemic, Anna practiced self-reflection to develop her practice. Inspired by the people who were important during a time of complete isolation, Anna modeled their portraits with improvised materials such as papier-mâché. These masks are influenced by her admiration for artists like Éric Croes and serve as both tributes and wall decorations. They symbolize the central role of humanity in her artistic approach, expressed through the simplicity of clay.
Anna Tou Ceramic
annatouceramic@gmail.com
Ceramic studio | boutique
rue Edison 56, 1190 Brussels
Experimentation studio at MAD
rue du Vautour 4, 1000 Brussels